In a theatre landscape where spectacle often takes precedence over substance, an actor and theatre expert, Ayomide Aina, stands out for his intentional, truth-driven approach to performance. Whether acting or directing, Aina grounds his work in empathy, discipline, and emotional honesty. He doesn’t just portray characters; he inhabits them fully.
“What grabs me about a character is when I see a little bit of myself in them,” he explains, describing a deeply personal connection that informs his process.
As a director, Aina brings the same intentionality to the rehearsal room. He prioritises collaboration over control, fostering an atmosphere where actors feel free to explore and take risks. “I see myself as more of a guide than a boss,” he says. This philosophy has shaped works like Olumoroti, where a spontaneous decision during a late-night brainstorm led to the bold inclusion of a real car on stage. In Agbero, set in the chaotic heart of Lagos, he fused immersive design and gritty storytelling to explore themes of survival and identity. Indeed, each production reflects his dedication to creating theatre that is both innovative and culturally resonant.
Beyond the stage, Aina’s commitment to storytelling extends into the classroom and rehearsal studio. As a mentor, he tailors his teaching to each student, likening them to different plants. “Some need sunlight, others need more time in the shade.”
Whether guiding shy newcomers or seasoned actors, he champions emotional honesty, critical thinking, and ensemble collaboration.
Aina’s impact also reaches into the wider cultural landscape. In A Place Called Lekki, he confronted the forced displacement of Maroko residents, using theatre to spark dialogue around social justice. Although the production didn’t lead to direct policy change, it generated important conversations at the Lagos Theatre Festival and within the local theatre community.
